Logic and backstage
October 22nd, 2008
Lately I just feel around in circles photographically, the impression of being in front of a wall.
I very much improved compared to my beginnings, I know my material, I am qualitatively consistent in my work, my workflow is in place and well oiled, the technique is no longer a real problem.
They will say that I have taken a "cap" and now it is high time I rush me, I take risks, question myself and what I expect from the picture in general.
The picture continues to have fun but I am less and less time to ask myself, think and work on personal projects.
Of course I'm still learning all the time, but somewhere I feel bogged down, do what people expect of me, everything is a question of balance between "orders" and work more personal and yet I realize the lack of real time and personal projects frustrates me.
I think the moment has different "tracks", change format, multiply the meetings, attend training in the arts, cover other topics.
Monday I went to a hairdresser to make some pictures and explore new trails, find new perspectives on returning I quickly realized that I am a bit trapped in my pictures.
Technically the pictures are very good, probably one of my best stories, the material offers me many opportunities, I play better and better my light, but I am a little disappointed with my approach.
On the other hand I found an environment in which I esteemed technicality and I learned a lot (outside the context of photography). The hairdresser star (the guy with the tattooed arm) Lee Stafford , a guy with boundless energy (he has several lounges and a broadcast for the BBC) was quite impressive to see on stage even for a novice like me.
Technical picture, I worked primarily in 50mm with an exhibition manual, drawing a maximum advantage of available light (not flash).
As usual, the raw have been imported under C1 to adjust the contrast and saturation
Two things in passing, Frederic sent me the photo of the drawing (photo by Tom Barman performed during the festival pop Verde ) on canvas that his girlfriend gave him Dotspot has performed in Brussels, the draw of 60 × 80 is mounted on a wooden frame, it is quite expensive (35 euros 37 euros canvas frame) but the result is well.
And Julian has kindly sent my picture of the Isle of Skye in the magazine picture and nature.
Super !... 
October 22nd, 2008 at 8:45
He good!
This is a level of stagnation I'd like to achieve ...
If you find that photography is tasteless and what I saw on this site, you can actually try a different approach to physical and / or more humane and less plastic work (excellent by the) to which you're familiar ...
What is remarkable is that I had this kind of questions when I started just, when you try a little while ...
I'm not made and I am far to me the rest I think ...
One last question just on the canvas, you know how this store has been fired?
Bonne continuation in any case ...
October 22nd, 2008 at 8:46
Oops I withdraw the last question, I am very attentive ...
(For a first comment on your site, we've failed!)
October 22nd, 2008 at 9:28
Hello,
Well it all goes through phases creative side. I always compels me to break one week per month, the history of recharging the batteries, take a step back compared to previous photos. If you got the impression of always doing the same and ultimately do nothing more than what you got asked by (or who personally provided).
When the picture starts, the gap is large to cross out photos potanles and every day we discover new things. But a little later or automation are introduced and the pictures of the "masters who made us dream" become more open to criticism, it feels soft or too much of either. In short we lose qqchose. My best remedy? Thinking has ONE picture that like to do. The difficult thing to do. Not necessarily technically but rather a bust with THE MOMENT THE light, ON topic!
October 22nd, 2008 at 9:29
Second article in three days, it is spoiled
Then the pictures already, you speak of 50 mm, we see quite made 85mm, but what did you use zoom with (the first 4-5 are between 80 and 200, so I guess it's 80 -200 or the 70-200
In any case most of the manual, you've captured the moment a lot of interesting and dynamic frames (especially the 2-3 pictures with the barber taking care of a manikin and the light projector half hidden by the face the hairdresser)
Otherwise, the portraits always nice to see, with eyes as sharp as ever (yes I know it haunts me ... but look at so important in a portrait)
Photos 4137 and 4140, the vignetting is done in post processing or in the light / open?
The 4431 (N & B, heel) is particularly interesting and slightly diagonal leg is vertical, it does
And the last 2 are very
By the way, you crop your photos (except those you put in a format other than 2:3, there is obvious) in general?
Side story, I am willing to an explanation of what a "hairdresser". They coiffent mannequins and live after they pass? oR there is a subtlety?
Finally, concerning your challenge, I can just tell you that as a "spectator" of your work, you actually "flat" ... but be sure it will consolidate technical mastery. You've got to find time to explore new ideas photo, may be further subject (landscapes, urban) for trying out other technical or silver for a change of D3. In short, there is plenty to do ... your only worry will manifest over time. But .. What photographer does not lack time?
October 22nd, 2008 at 10:13
Disappointed in your approach? I find it hard to imagine any other approach you could have taken on this kind of event. Maybe look at the work of other photo-reporters to see in what ways they approach these things, and especially what are the differences with you.
I understand what you mean by the fact that you "flat". Kifkif here ... the lack of temsp not helping!
Tent may be more personal topics about things that touch you more. Now that you metrizable of the technique you can try another site. Sport (not extreme football)? fashion? social (gender story that makes Chialli)? kids (good luck!)?
Perhaps by changing the field, rendering and emotions will follow as
Good luck buddy!
Here in NZ, there's a national assos pro photographers, I was one of a local meeting, it's cool you meet all the top names in town (rotten core of the portrait see the super guy catalog is super athletic), you get some friends, you observe what others do, it opens the horizons, to discover things which would not have thought.
Plouche @!
October 22nd, 2008 at 10:19
Aaah, yes, I forgot, this series rips everything! Did fuck your existential crisis of the thirties
It rips, and I like your approach, finally it's not just an approach, it is a style.
AC would have been cool to see a little more candid pics and see a good overview but it's great. And surely the customer is happy even if you you're not.
Do not be so hard on yourself ... that's how we remark in advance!
October 22nd, 2008 at 11:18
I fully understand your frustration Ben, but it has to recognize you as we propose in this series are simply superb, one of your best series in my opinion!
October 23rd, 2008 at 1:06
Your photos are very successful but it is true that they are similar (low pdc, cons-day). Should maybe you change your approach in trying to think what you want to express through your photo without thinking that you master the technique. Sometimes, simplicity delivers amazing results and can focus on the fundamentals.
October 23rd, 2008 at 1:39
I think that making a lot of reporting, the picture quickly shows its limits.
It is therefore perhaps disregard the codes of this kind of case study and daring things.
You got the technique up to you to release her
October 23rd, 2008 at 8:31
But me, I fully understand your "mood" ...
It has been so long since I follow you through your blog and I can confirm that you are the best of the best!
I guess in the beginning when it is recognized for his talent as you, it's wonderful to meet demand. To be guided by the orders.
And then you probably feel trapped.
I may be wrong but my perception.
Let us be clear. I admire your "work" photo, your technique, your achievements and your ideas ...
But lately, I have a feeling of déjà vu. As I discreetly pointed at my last comment on your recent marriage.
Yeah, the stories are wonderful wedding (this would make me want to divorce just to be able to remarry until your reports are superb).
Well, it's always a bit the same cliches. Logic in the context, we are cramped for creativity.
I think all the artists of your level have been there. But at least you, you have the intelligence to admit you. And that, I say hat master!
Anyway, I am and remain a fan of Benjamin Brolet
October 23rd, 2008 at 8:49
As I have already had occasion to tell you, this series is superb. you really able to retransmit the atmosphere of a salon hairdressing.
It is true that this kind of event is not very known to the general public, but this is a very interesting and more to find some beautiful model is much more dynamic than a simple parade fashion, in exhibitions of this kind is always impressive to see the hair stylists in live improv total because it must adapt to the hair and the cut-line model, the pure creation.
In addition, there's always room for POS fun playing with the mirror as you did on some pictures.
Level photo, as usual, you come to play with light to keep the whole atmosphere of the event. Great art.
Concerning your existential questions, I understand you, we all have doubts and we feel Tosu in circles at one time or another. As you already noted in a previous com, why not try your hand in sports photo (extreme sports like skiing, skating, ...)
Good continuation
Reynald
October 23rd, 2008 at 9:37
Great series with a + + for the last square format.
let us do a little history of pipes, efforts to identify human material for us to not communicating profession 
What 'Indeed you by format change?
For what it is your reflection, I can perceive what you mean. As surely bcp readers, I would also like to have these commandes.D elsewhere regarding this series you are talking I went to the salon is so simple as that or you had contact? That would be super chic
Now, technical level and especially reading light you're really talented. Manage the ratio in natural light is really something other than flashes.
Finally, in reporting on a particular event your pictures are in the service of others and the image of some of your thoughts or your creativity you on the merits.
Your reflection on the fact of being also an author on the merits, in my opinion saving for your inspiration, you can personal gait without lock you up faster and t'assecher even on the form.
If you've had an opportunity why do not you travel alone (far or not) without a personal story with a landscape theme that is planned or spontaneous delivery?
Finally, on the form, I like your distances pdv in contact, but why not change them back for more?
Here is my humble opinion and thank you again for what you show us and learn.
October 23rd, 2008 at 10:22
these are necessary steps in the next step right?
when I look at your work as a whole I do see a flawless technique and perfect pictures in terms of sharpness light etc. ... is precisely what you should not think about breaking this stuff?
daring framings more surprising, more play on the senior executive to leave the grain back into your files, make images a bit more raw stripping, break your perfection what?
I do not know if you see what I mean and what do you think? but that's my feeling, however I ask myself the same questions you except that I am part of the precept contrary to yours, not technical and not liking it ... I explored how to take pictures anyway and it worked ... but now I'm at the point a little technical help me probably advance!
October 23rd, 2008 at 11:16
This series is wonderful, there are portraits magnigiques, cool angles, etc. etc.. all this you do really well, it's clear and long demonstrated. but if you could choose, would you have chosen to take photos around this topic? Or do you rather have taken this theme as an opportunity?
my advice: choose a subject without thinking of the picture, sth that you like, you love, then find the means to cover the issue by running your imagination. I personally do not think you should getting yourself in the photo of sport, it'll be very technical in my opinion. gold you read you feel the urge to try something else. why not blur? interpretation? point of view very subjective or very purpose? the square format?
Good luck!
October 23rd, 2008 at 7:47
hello ben,
and ben is definitely going through all these phases difficult to do and how to do otherwise, how to renew, how to surprise yourself ... eventually. (A friend told me recently that he had the feeling of having arrived after the photo ... and the path he has chosen subjects ...)
in another topic, you were already clear in the fact that you live, from memory it seems to me that you said this in substance: "Technically, no problem, but the creative side, I do think a little harder the same "....
we're all at the same point, telling you that I am aware that I do not help, but this is not what you expect (I guess) ... ..
it is also true that when we are approached from all sides because one is more production, interesting look, there is, despite himself being sucked into a spiral which we do not control the flow and do what ... we are asked, why this one is paid, and then comes the issue "and me, what I'm doing what I want?"
I would say hang back, try to give time, waive certain applications (not easy, because it might offend more than one ...)
wonder what we love, what we want to do ....
delve into everything that exists, not to do the same, not to copy (no interest) but be inspired .... You know the slogan of classic 21 "no future without a past ..." is a bit of the same process, no news without relying on what already exists ... ..
in subjects, perhaps to focus on a few, not to disperse more ....
That said, on that other thread, different topic, I told you that in itself was a good thing that your questioning this state of frustration where you can find you, this wall where you're asking your what channel you were going to climb ...
a good thing, as it slowly ripens in you, and the spark will soon point to restart it all ....
is all the harm I wish you.
October 23rd, 2008 at 7:52
I will add what you know because this is the topic of this page, that technique is not an end in itself but just a tool on which to move towards more creative ... (I push the open in saying this, but I read that too little about it on forums and blogs ... ..)
October 24th, 2008 at 12:37
The secret, in my view, is not too be taken seriously
October 24th, 2008 at 2:41
And what about videos that you intended to turn?
There's plenty of English photographers who post the "tutorials" practical use of their material in real conditions of use.
You share a lot of your experience here in your notes. Transposition in the video would be a more real nowhere seen so far yet to my knowledge on French sites.
It's an idea ... what it is worth it and it'll let you do anything other than the picture, the time to ask the right questions, and we hope to answer all ...
In any case, I wish you a very good continuation.
October 24th, 2008 at 2:50
(... And what I expect the picture in general)
The existential questions are not useless. Know why there is the picture helps answer many other questions and avoid each other a lot of errors and wasted time. After this should not be complicated to know what to do and it to go.
October 24th, 2008 at 2:58
The last 4 are very pretty
October 24th, 2008 at 6:04
Thank you all for your numerous contributions, comments, criticisms
I will try to respond to each in order:
le_zla: I do not think that photography becomes tasteless, I just find that it is time for me to shove me
Alex: I agree with you, his last time I had too little time to ask myself and think it is time to think more in terms of projects
Eddie: I am the principal at 50mm, some at 85 and some photos of the podium at 80 / 200 (the 85 was too short). I do not reframe my images, work with a fixed focal viewfinder like this forces the D3 has a consistent shooting
Side story, they coiffent backstage and onstage to explain their technique, to finish the models parade
delphine: I am far from master thoroughly, I still have many things to learn, but in my present condition, I need to broaden my horizon, for parallel to other images.
I am not in a crisis-thirties
I think it's natural to question it allows me to evolve 
Shooter: Thanks!
Thierry: Yes it is clear
Gam clear!
Bertrand: I am recognized by some visitors, I am still very far from achieving what I want
I just think I'm just asking myself and think about what I want to move 
Reynald: Thank you!
lomoseb: By changing format, work with different hardware format as a way to break my habits. This is a track as others.
For the story, I had a contact through a friend
Din: Yes, you're right, the technique is just a means and not an end in and until now I am much does the opposite
jean-luc: thank you for your comment that I fully
Pixel entirely, but that does not reflect from time to time
Fifteen: the videos, it's more to explain and share information relating to the photo, not an end in itself, I prepare one for the next post
Manunu: Yep, quite!
Oliver: thank you!
October 24th, 2008 at 8:06
Shortly, I have not read anything once. I see your taff forward several months and it's always a pleasure to read you and see you spend the time to show us your work ... it is one of your strengths. The one I found important was your evolution and your new eyes that you brought to each of your subjects. It is true that recently I found that at your level you t'enlisais a little in a technical routine clean, and oh so desirable. And then boom! you'll question you and you move forward. Chapeau.
In any case this series I tape, black and white photos are beautiful (like the previous series), capture the full hair lacquer and yum it: http://www.photob.be/series / redken/BEN_4495.jpg
Love
Good continuation and good progress to you.
October 24th, 2008 at 11:26
Bin ages since I know thy works, 2005 or 2006 I always thought that you're doing well and is progressing well, following orders and the desire is there to photograph ...
Personally I think what you're doing is interesting, and I understand your desire to go further, it is not always easy to find, be photographically, perhaps by trying several approaches, sometimes it comes back that you love, or is it feels better and does best ...
I think you have tural communication possibilities, and in the field is important, you look, I could be wrong, to have a facility in the contact, a natural ease that serves you and you will find new orders for more personal photographic projects.
Since I look at your work, I've often said you pay a lot of people well, it feels in your work, bcp concerts, evenings, portaits ... You're really out to people ...
The last picture in the set are fairly successful, especially the few very good portaits, which inevitably makes me think of fashion photography. Honestly I see you function well in this area, fashion photography and was in a sense it already there 's some leg. This flap is large enough to have pictures really personal, it is refined over time, and will continue to be refined without really knowing or is this limit, as it continues to be refined ...
your pictures stand out among other bcp drawing attenion while simply because it is fun to watch, it y sites is leaving many people using a device or by the photographers, whose images are of a banality, and do not want to be regarded ...
Here it looks like they have something ...
I do not know if you look back and an update on your route, I guess so, but since you post your pictures on the net, there 's still a sacred developments in your pictures, so imagine what this will give a few years, you're in good Surra and as you say, is to find the way, the ways that suit you ...
A + + + friend
October 25th, 2008 at 12:31
No, but the picture is cyclical ... eh
It is obvious that we must not remain a single lane on pain of frustration.
In my shots like that he must do things radically different.
If you want to change the format - and change of air - you take for example a twin-lens film camera and starts again from scratch, leaning on your achievements in management and light you'll have fun finding a second wind. Even over a short period it will take you back enough to consider new things.
I do not know how it happens in Belgium but in France as a photographer, author, commit you also for your creativity, So maybe to you to impose your ideas and bring the commands of your desires. Be selective.
It is clear that the story is not the means of expression par excellence ...
Tchuss
October 25th, 2008 at 5:25
Hey, I was kidding for the crisis of thirty
I just wanted to say that the series was excellent!
All these people who advise you and s'inqiuète, fun anyway!
Good luck to all the choices to
October 26th, 2008 at 12:31
What I want to get bogged down like you!
Another quality work, beautiful light, emit some pictures really something, a lot of energy!
The fact that you question to think about all that, I think it's a good thing that proves you do not stay on your achievements, you will do better than the
I agree with what said Olivier above 100% I knew your work when I started in 2005, you were very good and you have changed tremendously!
The painting at your friend, really great
October 27th, 2008 at 5:43
Try the studio, with a woman surrounded by example ...
No, but more seriously I'm still a fan of your work but the rigor and the constant in your work are, in fact it often seems to see the same picture.
Just feel that you have become, with all its orders, a picture very "corporate".
I mean pictures that would go well on the banks of images so they are controlled.
Nonetheless me how I admiring you talking about.
But shoving could indeed be interesting.
Why not try you sincerely in the studio. something more "artificial" type of fashion photography for example.
Or try your hand outright to other more underground art.
in any case it is clear that you lack of projects. You almost do not work more on order.
Looks like you're at the border, with this challenge, service photographer and the photographer.
Good luck and good shot in the back do anyway
October 27th, 2008 at 3:07
There are plenty of things that can add value and change. Work slowly raised, reviewing its approach to framing and the dynamics, change the format (why not also work with a square silver) different subjects, change lenses such as a Lensbaby etc. ...
Is not lack of choice
October 28th, 2008 at 9:13
Hello
Firstly, it is plusieus day I go surfing on your site and on different links. I am a professional photographer for 12 years and I want to congratulate you for your generosity. Because you do not expose your work, there are many gifts in tutorial, with pictures on exif, links. For the quality of your work is different. I am amazed by the result of the quality of the light on the faces. And by the contact with the people photographed. But I think you're a bit by your framing or eaten by a certain idea of what to do, what stuff. And I think back to what I was told one of my teachers at CFPJ Jane Atwood: "Thou hast polluted the eyes with your work order!" And it should be the netoyer regularly. For it is best to find a subject, near home, spend at least one day per week or one week per month for one year or one month in the year and letting all forget the technique, the effects , tips, tricks work but turn around, amazed, frightened, Overexertion, Live! Ultimately you'll have not only a beautiful story but it will feed the rest of your work. Ever yours friend from ephemeral light.
October 28th, 2008 at 11:33
Superb series, you should submit your tofs Lee Stafford, the pictures you make of it at work can only please him, I find them more successful than he has on his site.
Concerning your thoughts have brought about constructive feedback, encouraging and motivating, I fully agree: the challenge is ahead. Like others, I am your photographic development for a long time and you've reached an impressive level of quality; your mastery of the art of light, framing is stirring.
You excel particularly in the portrait: why not explore this area? Through all your series uptake of looks, the talent that you have to enter expressions emerge each time.
Technically, Amha, you got nothing to prove, why not explore photos with other light sources as natural light, as this mini-studio that you had at a wedding?
And why not the medium format? It's not cheap, but the portrait it can open horizons. You have made too cool panos with Autopano.
We all go through stages of questioning, it is all profit if it does not turn to the headaches. For the photo at all levels: you passed the Cape of the achievements of technical mastery, personally, I'm still trying to master the exhibition manual and spot metering on the D200
Lack of time is frustrating, if the days lasted 48 hours and that could be resourcer with three hours of sleep instead of 7 ...
I hope you find answers to your questions, find your niche and be able to realize your expectations. You have changed the picture dramatically, you have a real personal touch, it will go more beautiful and you can still spoil us with images that "pootrent.
Again thank you for sharing your experience! Bonne continuation.
November 1st, 2008 at 4:16
I love the 3 photos 6-7-8!
November 2nd, 2008 at 10:46
Hi
Can you tell me what use you as a translator?
Not bad even if qq words up in the can (it is possible to change those?)
Thank you
November 2nd, 2008 at 10:50
@ Lomoseb
C'est le plugin Wordpress Global Translator :
http://www.nothing2hide.net/wp-plugins/wordpress-global-translator-plugin/
Pour l'anglais c'est plus ou moins valable mais pour les autres langues, c'est “marrant” je dirais.
novembre 3rd, 2008 at 6:16
Hello
belle série encore !
tu devrais peut-être te spécialiser dans quelque chose que tu aimes. c est sure que c est sympa de faire pleins de photos différentes pour explorer mais la je pense que maintenant, tu dois bien avoir un domaine qui te plait le plus et que tu pourrais explorer plus.
essaye de ne pas rester enfermer dans des commandes, je sais pas, les mariages c est sympa mais bon, est-ce que c est ca qui te botterait?
essaye de faire du reportage pres de chez toi, je suis sure qu il ya plein de choses a faire (va dans une banlieue a charleroi (je ne sais pas comment l orthographier) pour prendre de la tof humaniste, dans une maison de retraite, je sais pas, voyage !
bosse sur un projet d exposition, de livre, de documentaire, ca aussi c est d autres pistes a explorer. Fais toi un vrai site pour ton portfolio (bien que j adore ce blog, si tu veux montrer ton job, je pense que c est mieux un site uniquement pro pour ca)…
novembre 3rd, 2008 at 6:21
je rajouterai que je faisait de la zic, et avec mon groupe, on a eu les mêmes passages… le probleme, c est qu on faisait pas mal de concerts sans pouvoir créer de nouveaux morceaux… quand on allait en repete, c était en vue d un concert… on a arrêté les concerts un moment pour se refaire de morceaux et se faire a nouveau plaisir, un petit break aussi nous a fait du bien… jy vois un parallèle avec la tof, peut être arrête un peu les commandes et bosses sur des trucs plus persos sans devoir assurer (comme en mariage, assurer les signatures, la remise des alliances, le bouquet etc.)…
bye
bin
novembre 13th, 2008 at 8:19
olivier et arcadis ont bien résumé…tu as une force et elle te permet d'envisager beaucoup de projets…c'est ton regard sur les gens…ça ne trompe pas…tu pourrais donc te permettre de travailler sur une série propre avec ta sensibilité qi rentre en jeu, à fond…
mais il faut du temps et se dépolluer comme le cite ARCARDIS…beaucoup de photographes , même les plus grands avouent se ressourcer en allant voir le travail de leur collègue…aller voir de la peinture , des films , des dvd etc… je trouve qqles idées dans ces médias…mais ça ne reste que des idées (souvent lol) mais ce n'est pas grave car cela fait travailler ton imagination, ta créativité et tu en ressortiras meilleur.
see you soon
benoit
novembre 25th, 2008 at 7:15
bonjour Benb,
juste un petit message pour te dire que j'ai hâte de voir de nouvelles photos.
J'espère que ta reflexion a enfin pu aboutir.
@ Soon
novembre 27th, 2008 at 9:36
[...] Je commence a avoir un peu de mal a introduire mes articles, généralement cela commence par “machin ma demandé de” ou “Machin m'a contacté” Pour cet article je vais d'abord remercier, tous ceux qui ont laissés des commentaires sur l'article précédent. [...]
décembre 24th, 2008 at 4:39
salut Ben,
en revisitant ton site je me dis que tu as un vrai potentiel à exploiter dans le milieu de la musique. Tes photos de concert sont vraiment marquées d'une touche personnelle et la technique est irréprochable. De plus, tu as un vrai sens communicatif au travers de tes portraits.
Alors, pourquoi ne pas t'investir à fond dans le monde de la musique, je suis sûr que tu pourrais y faire ta place, et même devenir un “nom”.
travailler sur des jaquettes d'album, de dvd, suivre un artiste sur une tournée, créer un univers visuel sur de la musique, et que sais-je…
voilà, c'était juste une petite réflexion que je me suis faite au passage.
@ + + +
décembre 24th, 2008 at 4:42
et au passage: JOYEUX NOËL !!!
janvier 2nd, 2009 at 6:29
Tout d'abord un grand bravo pour tout ton travail.. Je lis ton site depuis des mois mais c'est la première fois que je poste ici. Juste pour dire que la photo de Tom tirée sur une toile donne vraiment bien. C'est superbe!
Bonne continuation…
et bonne année
janvier 28th, 2009 at 4:21
Alors moi c'est une problématique inverse…
Je ne suis pas photographe mais graphiste, je fais des images de toutes sortes. Je ne me sens pas du tout à court d'inspiration – puisque c'est de cela qu'il s'agit – mais à court de connaissances techniques !
Autrement dit je me sens prêt à tout tenter en photo… mais je mélange un peu les pinceaux avec les boutons… même si parfois cela provoque d'heureux accidents…
Bon on pourrait échanger ! En attendant je m'équipe avec du matos plus sérieux, encore plus de tech-soucis…
Jacques (complètement fan de ton travail et de l'œil qui va avec)