Reflexion and backstage
October 22nd, 2008
Lately I feel a bit like going round in circles photographically speaking, seem to be facing a wall.
I have a long way from the beginning, I know my material, I qualitatively consistent in my work, my workflow is in place in well oiled, the technique is no longer a problem.
We will say that I crossed a "cap" and now it is high time I push me, I take risks, question myself and what I expect from the picture in general.
The picture continues to have fun but I have less and less time to ask me, think and work on personal projects.
Of course I keep learning all the time, but somewhere I seem to get bogged down, do what people expect of me, everything is a balancing act between "commands" and work more staff and for the moment I am aware, the lack of time and real personal projects frustrates me.
I think for now a different "tracks", change the format, more meetings, attend training artistic cover other topics.
Monday I went into a hair salon, to make some pictures and explore new ways, find new prospects, returning I quickly realized that I have a little trapped in my images.
Technically the pictures are very good, probably one of my best stories, the material offers me many opportunities, I play better and better my light, but I am a little disappointed with my approach.
On the other hand I found an environment in which I felt technicality and I learned a lot (photo out of context). The star hairdresser (the guy with the tattooed arm) Lee Stafford , a guy with boundless energy (he has several lounges and a broadcast with the BBC) was quite impressive to see on stage even for a novice like me.
Technical picture, I worked mainly with a 50 mm manual expo, drawing a maximum advantage of available light (not flash).
As usual, were imported as raw C1 to adjust the contrast and saturation
Two other things to pass, Frederic sent me the photo of the drawing (photo by Tom Barman performed during the festival Vert pop ) on canvas that his girlfriend gave him Dotspot has performed in Brussels, the draw of 60 × 80 is mounted on a wooden frame, it's quite expensive (35 euros and 37 euros the canvas frame) but the result is well.
And Julien kindly sent me my image of the island of skye published in the magazine image and nature.
October 22nd, 2008 at 8:45
He well!
That's a level of stagnation that I would like to achieve ...
If you find that photography becomes tasteless and what I saw on this site, you can actually try a different approach and hardware or more humanistic and less plastic work (excellent incidentally) to which you are accustomed ...
What I notice is that I had had this kind of questions when I started just, when we try a little while ...
I'm not made and I am far, the rest to me I think ...
A simple last question on the canvas, you know what this shop has been learned?
Good luck anyway ...
October 22nd, 2008 at 8:46
Oops I withdraw the last question, I'm not careful ...
(For a first comment on your site, he missed!)
October 22nd, 2008 at 9:28
Hello,
Well we go through all phases of creative side. I always needed a week's break per month, the history of recharging the batteries, take a step back compared to previous pictures. If you got the impression of always doing the same and ultimately do nothing more than according to what you've asked (or expected personnaly).
When the picture begins, the gap is a big cross out pictures potanles and everyday we discover new things. But a little later or automatisms appear and the pictures of "masters who made us dream" become more open to criticism, it feels too soft or over either. In short we lose qqchose. My best remedy? A think a picture that would do. The difficult trick to do. Maybe not technically, but rather a busted with INSTANT Light, about!
October 22nd, 2008 at 9:29
Second item in 3 days, one is spoiled
So the pictures already, you speak of 50 mm, we see a lot to do 85mm, but what did you use zoom with (the first 4-5 are between 80 and 200, so I guess this is the 80 70-200 or -200
At least for most of the manual, you have captured the moment a lot of interesting and dynamic frames (especially with 2-3 photos hairdresser dealing with a dummy and the light projector half hidden by the face the hairdresser)
Otherwise, the portraits always pleasant to see with these eyes always so clear (it obsesses me yes I know ... but look at so important in a portrait)
Photos 4137 and 4140, the vignetting is done in post processing or in the light / opening?
The 4431 (B & W, heel) is particularly interesting and the slight diagonal leg is vertical, it does
And the last 2 are very
By the way, you cropped your photos (except those that you put in a format other than 2:3, then it's obvious) in general?
Next report, I will an explanation of what a "hair salon". They coiffent models live and after they pass? oR there's a catch?
Finally, regarding your questioning, I can just tell you that as a "spectator" of your work, you actually "stagnated" ... but be sure that to strengthen the technical mastery. You've got to find time to explore new ideas photo, may be further subject (landscape, urban) see try out other techniques or with a film to change the D3. In short, there is plenty to do ... your only concern will manifest over time. But .. photographer does not miss any time?
October 22nd, 2008 at 10:13
Disappointed in your approach? I find it hard to imagine any other approach you could have taken on this kind of event. Maybe look at the work of other photo-reporters to see in what ways they approach these things, and especially what are the differences with you.
I understand what you mean by the fact that you "stagnated". Kifkif here ... the lack of temsp not helping!
Tent can be more personal topics on things that touch you more. Now that you thoroughly métrises technique you can try another field. sport (not extreme football)? fashion? the office (which is kind chialler report)? kids (good luck!)?
Maybe that changing the field, rendering, and the emotions will follow as
Good luck buddy!
Here in NZ, there's a assos national pro photographers, I was one of a local meeting, it's cool you meet all the top names in the city (the portrait rotten core to see the great guy who made super sports catalog), you get some friends, you observe what others are doing, it opens horizons, discover things would not have thought auquelles.
@ Plouche!
October 22nd, 2008 at 10:19
Aaah, yes, I forget, this series all tears! Did fuck your existential crisis of the thirties
It roxx, and I like your approach, ultimately it is not just an approach, it's a style.
ca would have been cool to see a little more candid pics and see a good overview but it is excellent. And the customer is surely delighted even if you you're not.
Do not be so hard on yourself ... note this is how we advance!
October 22nd, 2008 at 11:18
I completely understand your frustration Ben, but it must recognize that we offer you in this series are superb, one of your best series in my opinion!
October 23rd, 2008 at 1:06
Your pictures are very successful but it's true that they are similar (low CDP, against the light). Should maybe you change your approach in trying to think what you want to express through your picture without thinking you've mastered the technique. Sometimes simplicity delivers amazing results and can focus on the fundamentals.
October 23rd, 2008 at 1:39
I think that making a lot of story, the picture shows its limits.
It should therefore perhaps be ignored on codes of this kind of scenario and daring things.
You got the technique to you to release her
October 23rd, 2008 at 8:31
Well, I totally understand your "mood" ...
It's been a long time that I'm using your blog and confirm that you are the best of the best!
I imagine that at the beginning when you're recognized for his talent like you, it's wonderful to meet demand. To be guided by commands.
And there you probably feel trapped.
I may be wrong but that's my perception.
Let us be clear. I admire your "work" photo, your technique, your accomplishments and your ideas ...
But lately, I have a feeling of "déjà vu". As I discreetly pointed out in my last comment on your last marriage.
Yeah, the stories are wonderful wedding (this would make me want to divorce just to be able to remarry as your reports are superb).
But hey, it's always a bit the same clichés. Sense in the context, it is cramped for creativity.
I think all artists to your level have been there. But at least you, you have the intelligence to admit you. And that, I say hat master!
Anyway, I am and remain a fan of Benjamin BROLET
October 23rd, 2008 at 8:49
As I have already had occasion to tell you, this series is superb. you really managed to transmit the atmosphere of a salon hairdressing.
It is true that this kind of event is not very publicly known, but it is a very interesting topic, and more to find the beautiful model is much more dynamic than just a parade fashion, in living rooms of this type, it's always impressive to see live hair stylists, the total improv because you have to adapt to the hair and cut the live model, the pure creation.
In addition, there's always room for POS fun playing with the mirror as you did in some photos.
Level picture, as usual, you come to play with light to keep the whole atmosphere of the event. Great art.
Concerning your existential questions, I understand you, we all have doubts and we Tosu going around in circles at one time or another. As you already noted in a previous com, why not try you in the sports photo (like extreme sports: skiing, skating, ...)
Good continuation
Reynald
October 23rd, 2008 at 9:37
Superb series with a + + for the last square format.
give us a brief run of pipes, efforts to identify human matter for us not communicating OCCUPATION 
Moreover qu'entends you by format change?
For what it's your reflection, I can perceive what you mean. As surely bcp readers, I would also like to have these commandes.D elsewhere on this series we tell you I went to the show: it's so simple as that or you had contact? It would be super chic
Now, the technical level and above light reading you're really talented. Manage the ratio in natural light is really something other than flashes.
Finally report on a particular evenemnet your photos are in the service of others and the image of some of your opinion you or your creativity on the merits.
Your reflection on the fact of being as author on the merits in my opinion is saving for your inspiration, without personal approach you can quickly lock you up and you dry even on the form.
If you have the opportunity why not go on holiday alone (far or not) for a report without personal landscapes with a theme that will emerge planned or spontaneous?
Finally, on the form, I like your distances pdv, on contact, but why not change them back for more?
Here is my humble opinion and thank you again for what you show us and teach.
October 23rd, 2008 at 10:22
these are necessary steps in the next step right?
when I look at your work as a whole I do see a flawless technique and perfect images in terms of sharpness and so light ... is it just that you should not think about breaking this stuff?
daring framings more surprising, more play on the senior executive, to let the grain go into your photos, make images a bit more rough stripping, break your perfection what?
I do not know if you know what I mean and what do you think? but that's my feeling, however I ask myself the same questions you except that I am part of the precept contrary to yours, with no technical and not liking it ... I explored how to take pictures anyway and it worked ... but now I'm at the point a little technique I would probably move forward!
October 23rd, 2008 at 11:16
this series is wonderful, there are portraits magnigiques, great angles, etc. etc.. you do all this great, this is clear and long demonstrated. but if you could choose, would you have chosen to take pictures around this? or have you taken this theme rather as an opportunity?
my advice: choose a subject without thinking about the pictures, sth that you hold dear, that you love, then find a way to cover the subject by running your imagination. I personally do not think that you should embark on sports photography, it's going to be very technical in my opinion. gold to read you can feel the urge to try something else. why not blur? of interpretation? the point of view very subjective or very objective? the square format?
good luck!
October 23rd, 2008 at 7:47
hello ben,
bin and it definitely goes through all these phases difficult, what to do and what else, how to renew, how to surprise yourself finally .... (A friend recently told me he had the feeling of having arrived at the end of the picture ... in the way and the subjects he has chosen ...)
in another subject, you were already clearly state this fact as you live, the memory I think you said this in substance: "Technically, no problem, but the side of creativity, I do think a little harder the same "....
we're all at the same point, and telling you that I am aware that I do not help, but it's not what you expect (I guess) .....
it is also true that when one is requested from all sides because one is more production, look interesting, it is, despite itself, sucked into a spiral which we do not control the course ... and we do what we are asked, why this one is paid, and then comes the issue "and me, what I'm doing what I want?"
I would say that you hang back, try to give time, give up some claims (not easy, because it could offend more than one ...)
ask what you love, what we want to do ....
delve into everything that exists, not to do the same, not to copy (no interest) but be inspired .... You know the slogan of classic 21 "no future without a past ...", it's a bit of the same process, no new features without relying on what already exists .....
level subjects, perhaps to concentrate on a few, not to disperse further ....
Having said that, on that other thread, another subject, I told you that in itself was a good thing that your questioning, this state of frustration in which you may find yourself, this wall where you are asking your what channel you were going to climb it ...
a good thing, as it slowly ripens in you, and the spark will soon point to revive it all ....
that's all the harm I wish you.
October 23rd, 2008 at 7:52
I will add what you know since that is the subject of this page, that the technique is not an end in itself, but just a tool on which to base move towards more creativity ... (I press the open in saying this, but I read that too little on this forums and other blogs .....)
October 24th, 2008 at 24:37
The secret, in my opinion, this is not too be taken seriously
October 24th, 2008 at 2:41
And what about videos that you was planning to shoot?
There are plenty of English-speaking photographers who post the "tutorials" practices of use of their material conditions of use.
You share many of your experience here in your notes. A video would be transposed into a more real nowhere seen so far yet to my knowledge of French sites.
It's an idea ... what it is worth it and it'll let you make anything other than the picture, the time to ask the right questions, and hopefully to answer them all ...
In any case, I wish you all the best.
October 24th, 2008 at 2:50
(... And what I expect from the picture in general)
Existential issues are not useless. Know why we made the picture can answer many other questions and to avoid many errors and lost time. After this should not be difficult to know what to do and in which direction to go.
October 24th, 2008 at 2:58
The last four are very pretty
October 24th, 2008 at 6:04
Thank you all for your many, contributions, comments, criticisms
I will try to respond to each in order:
le_zla: I do not find that photography becomes tasteless, I just find that it is time for me to push me
Alex: I'll join you, her last time I had too little time to reflect and ask me, it's time to think more in terms of projects
Eddy: I am the principal at 50mm, some at 85 and some photos of the podium in 80/200 (the 85 was too short). Je ne recadre pas mes images, travailler en focales fixes avec un viseur comme celui du D3 cela force a bien cadrer a la prise de vue
Coté reportage, ils coiffent en backstage et sur scène pour expliquer leur technique, a la fin les modèles défilent
delphine : Je suis loin de maitriser a fond, j'ai encore pleins de choses a apprendre, mais dans mon état actuel, j'ai besoin d'élargir mon horizon, de faire en parralèle d'autres images.
Je suis pas en pleine crise de la trentaine
, je pense que c'est naturel de se remettre en question cela me permet d'évoluer 
Shooter : Merci !
Thierry : Oui c'est clair
Gam : clair !
Bertrand : Je suis reconnu par quelques visiteurs, je suis encore très loin de ce que je veux atteindre
, je pense juste que je dois un peu me poser et réfléchir vers quoi je veux avancer 
Reynald : Merci !
lomoseb : Par changement de format, travailler avec un matériel différent comme un bon moyen format pour casser mes habitudes. C'est une piste comme d'autres.
Pour le reportage, j'avais un contact via une amie
dine : oui, tu as raison, la technique est juste un moyen et pas une fin en sois et jusqu'a présent j'ai beaucoup fait l'inverse
jean-luc : merci pour ton commentaire que je partage totalement
pixel : tout a fait, mais cela n'empèche pas de réfléchir de temps en temps
Quinze : les videos, c'est plus pour expliquer et partager des informations relatives a la photo, pas une finalité en soi, j'en prépare une pour le prochain post
Manunu : Yep, tout a fait !
Olivier : merci !
octobre 24th, 2008 at 8:06
Peu de temps, je n'ai pas tout lu pour une fois. Je vois ton taff avancé depuis plusieurs mois et c'est toujours un plaisir de te lire et de voir le temps que tu passes à nous présenter ton travail… ça c'est une de tes grandes forces. Celle que je trouvais importante c'était ton évolution et ton œil neuf que tu apportais à chacun de tes sujets. C'est vrai que dernièrement je trouvais qu'à ton niveau tu t'enlisais un peu dans une routine technique propre, enviable et ô combien. Et là boum !! tu t'interroges et tu vas avancer. Chapeau.
En tout cas cette série me scotche, les photos en noir et blanc sont splendides (comme celle de la série précédente), la capture de la laque en pleine coiffure miam et celle-ci : http://www.photob.be/series/redken/BEN_4495.jpg
I love
Bonne continuation et bonne progression à toi.
octobre 24th, 2008 at 11:26
Ben depuis le temps que je connais tes travaux, 2005 ou 2006 j'ai toujours trouvé que tu t'en sors bien et avance bien, les commandes suivent et l'envie de photographier est là…
Personnellement je trouve que ce que tu fais est intéressant, et je comprends ton envie d'aller plus loin, c'est pas toujours évident de se trouver, de se trouver photographiquement, peut-être qu'en tentant plusieurs approches on en revient parfois à ce que l'on aime, là ou on se sent le mieux et fait le mieux…
I think you have ral communication possibilities, and in the field is important, you seem, I could be wrong, to have a certain ease in the ignition, a natural ease, which serves you and you will find new orders for more personal photographic projects.
Since I look at your work, I've often said that you do well people, it feels in your work, lots of concerts, parties, portraits of, really ... You're going to the people ...
The latest photos, on the whole are quite successful, especially some very good portraits, which remind me inevitably to fashion photography. Honestly I'll see you function well in this area, fashion photography and was in a sense it already there's some leg. This flap is large enough to have pictures really personal, it is refined over time, and will continue to be refined without really knowing or is this limit, since it continues to refine ...
your pictures stand out among other bcp drawing ATTENION simply parcequ'elles are nice to look, there's many sites it is leaving people using a camera, or by the photographers, whose images are of a distressing banality, and do not want to be watched ...
It makes you want here, they have something ...
I dunno if you look back and takes stock of your career, I guess so, but since you post your pictures on the net, he there's still a sacred evolution in your photos, so imagine what this will give a few years, you're in the right surrement and as you say, is to find the way, the ways that suit you, ...
A + + + friend
October 25th, 2008 at 12:31
No, but the picture is cyclical eh ...
It is obvious that one should not remain a single lane on pain of frustration.
In the soft shots like that he must do things radically different.
If you want to change the format - and a change of scenery - you take for example a twin-lens film and starts from scratch, as you press your achievements in light of management you'll have fun and get a second wind. Even over a short period it will do you take enough distance to look at new things.
I do not know how it goes in France but in Belgium as a photographer author, you are also committed to your creativity, So maybe to you to impose your ideas and bring the commands of your desires. Be selective.
It is clear that the story is not the means of expression par excellence ...
Tchuss
October 25th, 2008 at 5:25
Hey, I déconnais to the crisis of the thirties
Just wanted to say that the show was excellent!
All these people who advise you and inqiuète, nice anyway!
Good luck for all choices
October 26th, 2008 at 12:31
I want to get bogged down like you!
Another quality work, good light, some pictures give off something really, great energy!
The fact that you question to think about all that, I think it's a good thing it proves that you do not stay on your achievements, you will not only better
I agree that said Olivier above 100% I knew your work when I started in 2005, you were very good and you have changed dramatically!
The painting at your friend, makes really good
October 27th, 2008 at 5:43
Try the studio, with a woman surrounded by example ...
No but seriously I'm still a fan of your work but the rigor and constant in your work are that indeed we often feel to see the same pictures.
Just feel that you become, with all its orders, a picture very "corporate".
I mean by that pictures that would go well on image banks so they are controlled.
I nonetheless admire as I say.
But shoving could be interesting indeed.
Why do not you try sincerely in the studio. something more "artificial" type fashion photography for example.
Or actually you try other more technical underground.
in any case it is clear that you lack of projects. You almost do not work more on order.
Looks like you're on the border with this challenge, service photographer and photographic artist.
Good luck and good shot in the back do anyway
October 27th, 2008 at 3:07
There are plenty of things that can bring more and change. Work poses slowly re-design the framing and dynamics, change the format (why not also work with a square silver) topics vary, change lenses such as a Lensbaby etc. ...
It is not lack of choice
October 28th, 2008 at 9:13
Hi
Firstly it makes plusieus day I surf on your site and on the various links. I am a professional photographer for 12 years and I want to congratulate you for your generosity. Because you do not expose your work, there are many gifts tutorial, with pictures in the exif, links. For the quality of your work is different. I am amazed by the result of the quality of light on the faces. And by contact with the people photographed. However I think you're a bit by your framing or eaten by a certain idea of what to do, what stuff. And I think back to what I was told one of my teachers at CFPJ, Jane Atwood: "You've polluted the eyes with your work order!" And it must be the MAINTENANCE OR CLEANING regularly. Why it is best to find a subject hard, near home, spend at least one day per week or one week per month for a year or a month in the year and let go of everything, forget the technique, the effects , tips, tricks but work, turn around, to marvel, to be frightened, Overexertion, Live! Ultimately you will have not only a beautiful story but it will feed the rest of your work. Sincerely yours comrade of ephemeral light.
October 28th, 2008 at 11:33
Great series, you should offer your tofs Lee Stafford, the photos you make of it at work can only please him, I find them more successful than he has on his site.
Your thoughts on who raised constructive feedback, encouraging and motivating, I fully agree: the questioning advances. Like others, I am your photographic development for quite some time and you have reached an impressive level of quality: your mastery of the technique, light, framing is stirring.
You excel particularly in the portrait: why not explore this area? Through all your series capture looks, the talent you have to enter expressions emerge every time.
Technically, IMHO, you have nothing to prove, why not explore the photos with other light sources that natural light, as this mini-studio that you had done at a wedding?
And why not medium format? It is not cheap, but for portraits it can open up opportunities. You did owls also panos with Autopano.
We all go through stages of questioning, that's all profit if it does not translate into a headlock. For the picture, at all levels: you have passed the milestone of the achievements of technical mastery, personally I'm still trying to master the exhibition manual and spot metering on the D200
Lack of time as it is frustrating, if the days lasted 48 hours and we could resourcer with 3 hours of sleep instead of 7 ...
I hope you find answers to your questions, to find your way and be able to realize your expectations. You have changed the picture dramatically, you have a real personal touch, it will go more beautiful and you can still spoil us with images that "pootrent".
Thank you again for sharing your experience! Good luck.
November 1st, 2008 at 4:16
I love all 3 photos 6-7-8!
November 2nd, 2008 at 10:46
Hi
Can you tell me what you used as a translator?
It's not bad even if qq words goes out the window (it is possible to change these?)
Thank you
November 2nd, 2008 at 10:50
@ Lomoseb
This is the Wordpress Global Translator Plugin:
http://www.nothing2hide.net/wp-plugins/wordpress-global-translator-plugin/
For English it is more or less valid but for other languages, it is "fun" I would say.
November 3rd, 2008 at 6:16
Hello
beautiful series yet!
Perhaps you should you specialize in something you love. c c that is sure is nice to do a lot of photos to explore different but I think now, you have to have a domain that you like best and you could explore more.
try not to stay locked in orders, I know not, marriages c is nice but hey, do c ca is that you'd kick?
tries to close the story from you, I'm sure that there are plenty of things to do (going in a suburban charleroi (I do not know how to spell it) to take the tof humanist, in a nursing home, I dunno, travel!
bump on a proposed exhibition, book, documentary, ca c is also to explore other avenues. Do yourself a real site for your portfolio (although I adore this blog, if you want to show your job, I think that c is a better site for pro only ca) ...
November 3rd, 2008 at 6:21
I'll add that I was the zic, and with my group, we had the same passages ... the problem, c is that it was a lot of gigs without being able to create new pieces ... when we went into repeats, c was in sight of a concert ... the concert was stopped a moment to redo pieces and make a new pleasure, a little break so we did good ... jy see a parallel with the tof can be a little off the controls and bumps on stuff without having to provide more characters (as in marriage, secure the signatures, handing alliances, bouquet etc..) ...
bye
ben
November 13th, 2008 at 8:19
Olive and ARCADIS have summed up ... you have a force and it allows you to consider many projects ... it's your look at people ... it does not disappoint ... you could then allow you to work on a set with your own sensitivity qi comes into play, thoroughly ...
but it takes time and clean up as quoted ARCARDIS ... many photographers, even the biggest admit relax by going to see the work of their colleague ... go see the painting, movies, dvd etc. ... I find ideas qqles in the media ... but it remains that ideas (often lol) but it does not matter because it makes your imagination work, your creativity and you will ressortiras best.
see you soon
benoit
November 25th, 2008 at 7:15
hello BenB,
Just a short note to tell you I'm anxious to see new photos.
I hope your reflection could finally succeed.
@ Soon
November 27th, 2008 at 9:36
[...] Je commence a avoir un peu de mal a introduire mes articles, généralement cela commence par “machin ma demandé de” ou “Machin m'a contacté” Pour cet article je vais d'abord remercier, tous ceux qui ont laissés des commentaires sur l'article précédent. [...]
décembre 24th, 2008 at 4:39
salut Ben,
en revisitant ton site je me dis que tu as un vrai potentiel à exploiter dans le milieu de la musique. Tes photos de concert sont vraiment marquées d'une touche personnelle et la technique est irréprochable. De plus, tu as un vrai sens communicatif au travers de tes portraits.
Alors, pourquoi ne pas t'investir à fond dans le monde de la musique, je suis sûr que tu pourrais y faire ta place, et même devenir un “nom”.
travailler sur des jaquettes d'album, de dvd, suivre un artiste sur une tournée, créer un univers visuel sur de la musique, et que sais-je…
voilà, c'était juste une petite réflexion que je me suis faite au passage.
@ + + +
décembre 24th, 2008 at 4:42
et au passage: JOYEUX NOËL !!!
janvier 2nd, 2009 at 6:29
Tout d'abord un grand bravo pour tout ton travail.. Je lis ton site depuis des mois mais c'est la première fois que je poste ici. Juste pour dire que la photo de Tom tirée sur une toile donne vraiment bien. C'est superbe!
Bonne continuation…
et bonne année
janvier 28th, 2009 at 4:21
Alors moi c'est une problématique inverse…
Je ne suis pas photographe mais graphiste, je fais des images de toutes sortes. Je ne me sens pas du tout à court d'inspiration – puisque c'est de cela qu'il s'agit – mais à court de connaissances techniques !
Autrement dit je me sens prêt à tout tenter en photo… mais je mélange un peu les pinceaux avec les boutons… même si parfois cela provoque d'heureux accidents…
Bon on pourrait échanger ! En attendant je m'équipe avec du matos plus sérieux, encore plus de tech-soucis…
Jacques (complètement fan de ton travail et de l'œil qui va avec)